Polka Has Been Hazardous To His Head
July 7th, 2008(Tom Jirik wrote columns in several newspapers in Iowa from the late 1980’s to the mid 1990’s. This column originally appeared in the The Boone Today in the spring of 1988)
Hi. My name is Tom Jirik.
I am a polka-holic.
It all started years ago. My folks were both heavily into polkas and waltzes. They called it “Old – time.” They listened to Frankie Yankovic and his Yanks, the Six Fat Dutchmen, the Jolly fishermen, Polka Padre, Nebraskan boy al Grebnik and of the unforgettable Whoopie John Wifart. I had no choice but to listen along.
As the oldest child, I had no older brothers or sisters to warn me of the dangers of polkas. By age 5, I was hooked. Time and time again, I warned my youngest brothers about the dangers of polka music. “Listen to hard rock bands like AC-DC or KISS,” I would tell them. “You don’t want to wind up like me.”
As a third grader, I totally lost control of my craving for polkas. I had a small 48-bass accordion and took lessons from a nun, Sister Cecelia, who was 150 years old if she was a day over 20.
She tried to disguise the music, but it didn’t work. Two months after starting lessons, I noticed that the song I was learning, “Vegetables on Parade,” sounded a lot like the “Too Fat Polka.”
I’m certain that Polka-holism is a hereditary disease. My grandfather on my dad’s side was playing in a polka band by the time he was 15. On my mother’s side, a great uncle was a Swiss yodeler and accordionist from a young age. Destiny dictated that I too would become a polka-holic.
When I was in my early teen-age years, I went to my first polka concert. Myron Floren was playing at the county Fair. I still have the autographed album and tattered publicity photo.
When I was in high school other student musicians were experimenting with electric guitars and synthesizers. Me? I was polishing my new Italian-made Iorio electric accordion.
“Learn to play like Myron,” my dad would say, “And you’ll have the best accordion money can buy.”
I took lessons off and on for 5 years. My parents always held high hops that I would become a well-known accordionist like Myron. Every time he came with Lawrence Welk, they would hail me into the room so I could watch his fantastic performance. Flashy rings! Ruffles shirts! What a life. What a showman.
I never achieved accordion fame, but my father still holds out hope. Nearly every time I talk to him on the telephone he asks anxiously, “Are you still practicing your accordion?”
I feel guilty when I have to lie, so I practice now and then. I still don’t have control of my polka-holism. Sometimes I just have to pull out my polka tapes and records and listen to them.
I strap on that big heavy accordion. It feels good, hanging on my shoulders like an old friend, ready to sing to me. When the whole world’s against me I turn to my accordion… and polkas. Polka-holism almost got my brother, John, too. He started playing tuba in grade-school. But he’s kicked it now. I don’t think he’s Oom-Pah’ed in more than a year
I wasn’t so lucky. That big accordion sits in the closet even now, waiting for me to pull it out and limber up the bellows. I’ll always wear my watch on my right wrist instead of my left because on the left it hinders my accordion skills.
Sometimes, when I’m overwhelmed by polkas, I dream about becoming America’s next polka king. I’d buy a big fancy Cordovox, the best accordion money can buy. I’d have a tour bus and a whole band dressed in liederhosen to play Oom-Pahs in the background.
And after a concert or dance, we’d sit back-stage and clink our beer steins together in a toast to polka-holism.