At one point in time, Cuba was a center for culture in Central America. Where the rich and famous from the United States came to play, eat, drink, and be entertained - and entertained they were.Cabaret was developed by the French (of course), but took on a distinctly Latin feel when it reached the shores of Cuba. The largest and most famous Cabaret in Cuba is the famous Tropicana Club outside of Havana. Only slightly less famous is the Cabaret Parisein in the Hotel Nacional de Cuba.
What a show.
I really felt like I should be in a smoking jacket with a cigarette in hand as I sat at the table five tables back (and several steps up) from the main stage. Built like a dinner theater with tables and chairs from the 1950’s, table cloths, curtains, and carpet all that had the classic look of the 1950’s. It still had that smoky, hazy feel of a 1950’s club show - which, I guess, in many ways it was.
It was strange mixture of Latin culture, music, dance, dress, with a heavy dose of sensuality that explored the cultures throughout Latin America. While I couldn’t understand the language, the sites, the sounds, the motions led us on a journey around the southern half of the America’s.
Tango from Argentina, Carnival from Brazil, Aztecs and Maya’s from Mexico, a salute to Venezuela, a celebration of Cuba…the stories, the dances, the music beat into my head. The syncopation, the dazzling costumes, the choreography - it was breath-takingly beautiful.
It was also not a family show - it was all very respectfully and tastefully done…but the pulse and the innuendoes were present.
Overall, it was fascinating to behold.
From the Parisien, we took a quick break on the back terrace of the Hotel Nacional de Cuba…a mohito and a few sips of Club Havana Reserva - Cuban Rum that is illegal to drink in the United States…and it is good…
From the Hotel Nacional, we proceeded to Salon Rojo, a dance club not that far from the hotel.
It was like a modern rendition of the Cabaret. As a matter of fact, the club was set up almost exactly like the Cabaret Parisien with a raised stage and tables and seats that stretched to the back. The difference was this was so modern and trendy, you could have put it down in the center of New York City and it would have fit right in.
When we walked in the doors, the music was blaring Madonna (believe it or not, her hit song, “Vogue” which glamorized the stars from the 1950’s…) and there was group of about ten women on stage, wearing shorts and very reveling shirts (but all military camouflage).
The majority of the music was from the United States as dancers and performers shuffled on and off stage - a group of rap dancers, a performance artist, more scantily clad women.
And ah yes, the women.
Before I had the first sip of my Mohito, a very young beautiful Cuban girl walked up to me and asked me (in Spanish) where I was from, then I used the line that either helped or hurt me for the rest of the trip…”No Hablo Espanol.”
In my thinking, this meant that I couldn’t understand them and couldn’t buy what they were selling (regardless how beautiful they were).
In their thinking I believe it meant, “Pay dirt.”
The first girl said, in near perfect English, “No problem, I speak English.” She learned it from smuggled in US movies.
She asked where I was from, “The United States.” I answered.
“Wait, aren’t we at war with you guys?” She replied.
We talked for a while about relations between the United States and Cuba, and when it was clear she wasn’t going to see any US/Cuban relationships this evening, she moved on to greener pastures.
She was the first of about four women that made it very clear that they were in business that evening. My family and most of my friends are probably happy to know that I stuck to the basics, it was all blocking and tackling, ahhh, in a pure sense, politely refusing the advances.
I walked back to the hotel about two o’clock in the morning and had one last Mohito on the back porch of the Hotel de Nacional still in amazement at the state of Cabaret in Cuba, both old and new…